{"id":243,"date":"2014-02-13T01:34:20","date_gmt":"2014-02-12T23:34:20","guid":{"rendered":"http:\/\/ozanyarman.com\/wpress\/?p=243"},"modified":"2014-02-16T23:26:40","modified_gmt":"2014-02-16T21:26:40","slug":"safiy%c3%bcddin-urmevinin-17li-perde-sistemi-ve-m%c3%bccennebat-dr-fazl%c4%b1-arslana-bir-mektuptan-8-16-2008","status":"publish","type":"post","link":"https:\/\/ozanyarman.com\/wpress\/2014\/02\/safiy%c3%bcddin-urmevinin-17li-perde-sistemi-ve-m%c3%bccennebat-dr-fazl%c4%b1-arslana-bir-mektuptan-8-16-2008\/","title":{"rendered":"Safiy\u00fcddin Urmevi’nin 17’li perde sistemi ve M\u00fccennebat (Dr. Fazl\u0131 Arslan’a bir mektuptan, 8.16.2008)"},"content":{"rendered":"

Safiy\u00fcddin Urmevi, kendisine bug\u00fcnki anlamda bir “m\u00fczik bilimci” diyemesek bile, m\u00fczik teorisyeni kimli\u011fiyle tarihimizde \u00e7ok \u00f6nemli bir mihenk ta\u015f\u0131d\u0131r. \u0130ki \u00f6nemli y\u00f6n\u00fc var: Tetrakordal ve Pentakordal b\u00f6l\u00fcnmeleri i\u015fleyip kendinden \u00f6nceki nesillerin (Arkitas, \u00d6klid, Aristokzen, Nikomakos, Batlamyus, Farabi, \u0130bn Sina) bu alandaki \u00e7al\u0131\u015fmalar\u0131n\u0131 ihya ediyor ve tarihte ilk kez olarak oktavda 17 perdeden m\u00fcte\u015fekkil bir notasyon ile ses-d\u00fczeni \u00f6neriyor.<\/p>\n

Nitekim Doktora Tez Savunmamda \u015funlar\u0131 s\u00f6ylemi\u015ftim:<\/p>\n

“Urmevi\u2019nin 17 sesli Ebced d\u00fczeni, 4 be\u015fli yukar\u0131, 12 be\u015fli a\u015fa\u011f\u0131 gidilerek bulunuyor. Yani, gayri m\u00fcsavi 24 perdeli taksimat, Urmevi\u2019den m\u00fclhem:<\/p>\n


\n0:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1\/1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 unison, perfect prime
\n1:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 256\/243\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 limma, Pyth. minor second
\n2:\u00a0\u00a0\u00a0\u00a0\u00a0 65536\/59049\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 J\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pyth. diminished third
\n3:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 9\/8\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 D\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0major whole tone
\n4:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 32\/27\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pyth. minor third
\n5:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 8192\/6561\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 V\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pyth. diminished fourth
\n6:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 81\/64\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Z\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Pyth. major third
\n7:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4\/3\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 H\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 perfect fourth
\n8:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1024\/729\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 T\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Pyth. diminished fifth
\n9:\u00a0\u00a0\u00a0\u00a0 262144\/177147\u00a0\u00a0\u00a0\u00a0\u00a0 Y\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pyth. diminished sixth
\n10:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3\/2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 YA\u00a0\u00a0\u00a0\u00a0\u00a0 perfect fifth
\n11:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 128\/81\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0YB\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Pyth. minor sixth
\n12:\u00a0\u00a0\u00a0\u00a0\u00a0 32768\/19683\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0YJ\u00a0\u00a0\u00a0\u00a0\u00a0 Pyth. diminished seventh
\n13:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 27\/16\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0YD\u00a0\u00a0\u00a0\u00a0\u00a0 Pyth. major sixth
\n14:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 16\/9\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0YE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Pyth. minor seventh
\n15:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4096\/2187\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0YV\u00a0\u00a0\u00a0\u00a0\u00a0 Pyth. diminished octave
\n16:\u00a0\u00a0\u00a0 1048576\/531441\u00a0\u00a0\u00a0\u00a0\u00a0YZ\u00a0\u00a0\u00a0\u00a0\u00a0 Pyth. diminished ninth
\n17:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2\/1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0YH\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0octave
\n18:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 512\/243\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0YT\u00a0\u00a0\u00a0\u00a0\u00a0 limma, Pyth. minor second +8th
\n19:\u00a0\u00a0\u00a0\u00a0 131072\/59049\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0K\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pyth. diminished third +8th
\n20:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 9\/4\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0KA\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0major ninth
\n21:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 64\/27\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0KB\u00a0\u00a0\u00a0\u00a0\u00a0 Pyth. minor third +8th
\n22:\u00a0\u00a0\u00a0\u00a0\u00a0 16384\/6561\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0KJ\u00a0\u00a0\u00a0\u00a0\u00a0 Pyth. diminished fourth +8th
\n23:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 81\/32\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0KD\u00a0\u00a0\u00a0\u00a0\u00a0 Pyth. major third +8th
\n24:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 8\/3\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0KE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0perfect 11th
\n25:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2048\/729\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0KV\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Pyth. diminished fifth +8th
\n26:\u00a0\u00a0\u00a0\u00a0 524288\/177147\u00a0\u00a0\u00a0\u00a0\u00a0KZ\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Pyth. diminished sixth +8th
\n27:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3\/1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0KH\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0perfect 12th
\n28:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 256\/81\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0KT\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Pyth. minor sixth +8th
\n29:\u00a0\u00a0\u00a0\u00a0\u00a0 65536\/19683\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0L\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Pyth. diminished seventh +8th
\n30:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 27\/8\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0LA\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Pyth. major sixth +8th
\n31:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 32\/9\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0LB\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Pyth. minor 14th
\n32:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 8192\/2187\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0LJ\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Pyth. diminished octave +8th
\n33:\u00a0\u00a0\u00a0 2097152\/531441\u00a0\u00a0\u00a0\u00a0\u00a0LD\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Pyth. diminished ninth +8th
\n34:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4\/1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0LE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a02 octaves
\n<\/span><\/p>\n

Bununla birlikte, Safiy\u00fcddin Urmevi, kendini Pithagoryen oranlarla s\u0131n\u0131rlam\u0131yor, 2\/3, 3\/4 ve 4\/5 tam-ses \u015feklinde a\u00e7\u0131klanabilecek orta ikili aral\u0131klardan da s\u00f6zediyor!<\/p>\n

750 y\u0131l \u00f6ncesinin orta-ikilileri ile bug\u00fcnki usta icrac\u0131lar\u0131n kay\u0131tlar\u0131nda \u00f6l\u00e7\u00fclen \u201ckuram-d\u0131\u015f\u0131\u201d aral\u0131klar aras\u0131ndaki benzerlik \u015fa\u015f\u0131rt\u0131c\u0131.<\/p>\n

Safiy\u00fcddin Urmevi\u2019nin \u015eerefiyye Risalesi, 2007 y\u0131l\u0131nda Fazl\u0131 Arslan taraf\u0131ndan T\u00fcrk\u00e7e\u2019ye \u00e7evrildi\u011finde, m\u00fcellifin y\u00fcksek asal limitli orta-ikili aral\u0131klardan ve bunlara dayal\u0131 pek \u00e7ok cinsten s\u00f6zetti\u011fi anla\u015f\u0131ld\u0131.<\/p>\n

Ayr\u0131ca, Ebced ile notaland\u0131rd\u0131\u011f\u0131 Ud parmak pozisyonlar\u0131na bak\u0131ld\u0131\u011f\u0131nda, gayri m\u00fcsavi 24 perdeli taksimatta bulunmayan, 99, 145 ve 168 sentlik \u201cM\u00fccenneb-i Sebbabe<\/strong>\u201d (i\u015faret parma\u011f\u0131 yan\u0131) perdeleri (M\u00fccennebat<\/strong>) g\u00f6r\u00fcl\u00fcyor!<\/p>\n

Urmevi, bir yandan y\u00fcksek asal limitli Tetrakordal b\u00f6l\u00fcnmelere de\u011finirken, neden di\u011fer yandan 17 sesli Pithagoryen bir d\u00fczen veriyor?<\/p>\n

Tetrakordal b\u00f6l\u00fcnmelerde perde say\u0131s\u0131n\u0131n ba\u015fedilemez boyutlara varmas\u0131n\u0131n \u00f6n\u00fcne ge\u00e7mek ve telleri d\u00f6rtl\u00fclerle akortlanan kadim Ud’da parmak pozisyonlar\u0131n\u0131n kolay anla\u015f\u0131lmas\u0131n\u0131 sa\u011flamak \u00fczere, Ebced notas\u0131n\u0131, t\u0131pk\u0131 kendinden y\u00fczy\u0131llar \u00f6nce El-Kindi\u2019nin yapt\u0131\u011f\u0131 gibi, ilk etapta, Pithagoryen de\u011ferlere izd\u00fc\u015f\u00fcrm\u00fc\u015f olmal\u0131.”<\/p>\n

Yal\u00e7\u0131n Tura’n\u0131n 17-ton E\u015fit Taksimata tekabul eden bir yakla\u015f\u0131m\u0131 hala daha savunup savunmad\u0131\u011f\u0131n\u0131 bilmiyorum, ancak \u015fu kadar\u0131n\u0131 s\u00f6yleyeyim: Safiy\u00fcddin Urmevi b\u00f6yle bir e\u015fit sistemden bahsediyor de\u011fil. 17’li Pithagoryen d\u00fczende her makam\u0131n her perdeye tam g\u00f6\u00e7\u00fcr\u00fcm\u00fc zira m\u00fcmk\u00fcn de\u011fil, \u00e7\u00fcnki aral\u0131klar farkl\u0131 boylarda. Mesela, Rast’\u0131n m\u00fcteakip aral\u0131klar\u0131 sent de\u011ferleri olarak bir derece yukar\u0131 \u00e7\u0131k\u0131ld\u0131\u011f\u0131nda bakal\u0131m nas\u0131l de\u011fi\u015fiyor:<\/p>\n


\nA 204 180 114 204 180 114 204 (yerinden)
\nB 204 114 180 204 114 180 204 (bir ad\u0131m yukar\u0131, +90 sent)
\n<\/span><\/p>\n

Her ne kadar iki t\u00fcr m\u00fccenneb aral\u0131\u011f\u0131 Urmevi taraf\u0131ndan tefrik edilmese de, ilk dizi maj\u00f6r niteli\u011finde, \u00f6b\u00fcr\u00fc min\u00f6r niteli\u011finde! Kitab\u00fc’l Edvar’\u0131n 357. sayfas\u0131ndan devam edelim:<\/p>\n


\nA 204 180 114 204 180 114 204 (yerinden)
\nH ayn\u0131
\nYh ayn\u0131
\nh ayn\u0131
\nYB 204 180 114 204 114 180 204
\n…
\n<\/span><\/p>\n

\u0130lk ba\u015ftaki aral\u0131klar\u0131, g\u00f6rebilece\u011fimiz gibi, her derecede tutturmak m\u00fcmk\u00fcn de\u011fil. Oktav, Urmevi’nin Pithagoryen oranlar\u0131 burkularak 17 e\u015fit par\u00e7aya b\u00f6l\u00fcnse, her derecede kusursuz transpozisyon m\u00fcmk\u00fcn olurdu. M\u00fckemmel transpozisyon sadece E\u015fit Temperamanlara mahsustur. Ebced notas\u0131 ile birlikte gelen oranlara tak\u0131l\u0131p kal\u0131rsak, ge\u00e7elim Rast’\u0131, di\u011fer b\u00fct\u00fcn diziler \u00f6teleme yap\u0131ld\u0131k\u00e7a yamulacakt\u0131r. Urmevi’nin dizilerin b\u00f6yle yamulmas\u0131n\u0131 kastetmi\u015f olabilece\u011fini hi\u00e7 sanm\u0131yorum. Doktora Tez Savunmamda da dile getirdi\u011fim gibi, Urmevi’nin Ebced sistemi bir \u015fablondan ibaret g\u00f6r\u00fcn\u00fcyor. Maksat, \u00e7ok y\u00fcksek limitli asal say\u0131lara dayal\u0131 olabilen Tetrakordal b\u00f6l\u00fcnmelerin konumlar\u0131n\u0131 Ud’da notayla saptamak olmal\u0131. Bu a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda, Urmevi, kendinden sonra gelip de hurafelere dalarak m\u00fczi\u011fin matemati\u011finden uzakla\u015fan s\u00f6z\u00fcm-ona teorisyenlere \u00e7ok fark at\u0131yor. Tezimde, Safiy\u00fcddin’i devam ettiren Meragi’den ve Abdurrahman Cami’den sonraki 19. y\u00fczy\u0131la kadar ge\u00e7en d\u00f6rt as\u0131rl\u0131k d\u00f6neme “Makam Kuram\u0131n\u0131n Karanl\u0131k \u00c7a\u011flar\u0131<\/em>” ad\u0131n\u0131 verdim keza.<\/p>\n

Evet, Kantemir’in me\u015fhur s\u00f6z\u00fc bug\u00fcn bile ge\u00e7erli! Rauf Yekta da T\u00fcrk Mus\u0131kisi Nazariyat\u0131 adl\u0131 Monologunda, benzer \u015fekilde m\u00fczisyenlerin tabi olduklar\u0131 kurallar\u0131 bilmekten uzakla\u015ft\u0131klar\u0131n\u0131 a\u00e7\u0131k\u00e7a ifade ediyor ve nazariyat\u0131n tatbikat\u0131 anlamadaki \u00f6nemini vurguluyor.<\/p>\n

Urmevi’nin m\u00fczik teorisine getirdi\u011fi disiplin, 20. y\u00fczy\u0131l\u0131n ba\u015f\u0131nda Rauf Yekta taraf\u0131ndan canland\u0131r\u0131ld\u0131, ama sonras\u0131 malum. Makam m\u00fczi\u011finin nazari sorunlar\u0131 bitmek bilmiyor ve akl\u0131 ba\u015f\u0131nda bilim insanlar\u0131n\u0131n ciddi bir \u015fekilde bunlara e\u011filmesi gerekiyor.<\/p>\n

Son bir c\u00fcmlede d\u00fc\u015f\u00fcncelerimi toparlayay\u0131m: Urmevi, oktavda 17 ses i\u00e7eren Ebced Ud notas\u0131na, “by default<\/em>“, Pithagoryen oranlar\u0131 izd\u00fc\u015f\u00fcr\u00fcyor gibi; ancak bu bir \u015fablondan ibaret olup, as\u0131l maksat tam-t\u0131n\u0131lamal\u0131 oranlara dayal\u0131 tetrakordal ve pentakordal b\u00f6l\u00fcnmeleri her derecede temsil edebilmek olmal\u0131. Bug\u00fcn itibariyle, 24 perdeli AEU notas\u0131 nas\u0131l oktav\u0131n logaritmik olarak 53 e\u015fit par\u00e7aya b\u00f6l\u00fcnmesine irca ediliyorsa, 17 perdeli Ebced notas\u0131 da \u00e7ok y\u00fckl\u00fc bir tam-t\u0131n\u0131lama sistemini b\u00fcnyesinde ta\u015f\u0131yor denebilir. Safiy\u00fcddin’in 99, 145 ve 168 sentlik “M\u00fccenneb-i Sebbabe<\/strong>” aral\u0131klar\u0131n\u0131 kullanmas\u0131na bak\u0131lacak olursa, Makam m\u00fczi\u011fi bin y\u0131la yak\u0131n bir s\u00fcredir a\u015fa\u011f\u0131 yukar\u0131 ayn\u0131 tertip gidiyor! Urmevi’nin nazariyat\u0131 sayesinde, bug\u00fcnki icra ile o g\u00fcnki icra aras\u0131ndaki benzerlikleri g\u00f6rebiliyoruz. Safiy\u00fcddin, ge\u00e7mi\u015fi bize yans\u0131t\u0131yor, bu a\u00e7\u0131dan m\u00fczik bilimi ile i\u015ftigal edenlerin onu ve \u00e7al\u0131\u015fmalar\u0131n\u0131 kavramalar\u0131 \u00e7ok m\u00fchim.<\/p>\n

Esenlikle,
\nDr. Oz.<\/p>\n","protected":false},"excerpt":{"rendered":"

Safiy\u00fcddin Urmevi, kendisine bug\u00fcnki anlamda bir “m\u00fczik bilimci” diyemesek bile, m\u00fczik teorisyeni kimli\u011fiyle tarihimizde \u00e7ok \u00f6nemli bir mihenk ta\u015f\u0131d\u0131r. \u0130ki \u00f6nemli y\u00f6n\u00fc var: Tetrakordal ve Pentakordal b\u00f6l\u00fcnmeleri i\u015fleyip kendinden \u00f6nceki nesillerin (Arkitas, \u00d6klid, Aristokzen, Nikomakos, Batlamyus, Farabi, \u0130bn Sina) bu … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-243","post","type-post","status-publish","format-standard","hentry","category-tuning-maqam-theory"],"_links":{"self":[{"href":"https:\/\/ozanyarman.com\/wpress\/wp-json\/wp\/v2\/posts\/243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ozanyarman.com\/wpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ozanyarman.com\/wpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ozanyarman.com\/wpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ozanyarman.com\/wpress\/wp-json\/wp\/v2\/comments?post=243"}],"version-history":[{"count":14,"href":"https:\/\/ozanyarman.com\/wpress\/wp-json\/wp\/v2\/posts\/243\/revisions"}],"predecessor-version":[{"id":297,"href":"https:\/\/ozanyarman.com\/wpress\/wp-json\/wp\/v2\/posts\/243\/revisions\/297"}],"wp:attachment":[{"href":"https:\/\/ozanyarman.com\/wpress\/wp-json\/wp\/v2\/media?parent=243"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ozanyarman.com\/wpress\/wp-json\/wp\/v2\/categories?post=243"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ozanyarman.com\/wpress\/wp-json\/wp\/v2\/tags?post=243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}